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      Return to Glossary Index


      N

      Nachtmusik

      Nachtmusik (German: night-music) is best known from Mozart’s Eine kleine Nachtmusik, A Little Night Music, a serenade.
       
       

      Natural

      A natural is a note that is neither a sharp nor a flat. The adjective is used to describe the natural horn or natural trumpet, without valves.
       
       

      Neoclassical

      Neoclassical style in music indicates a 20th century eclectic return by some composers to various styles and forms of earlier periods, whether classical or baroque. The style is exemplified in the score for the ballet Pulcinella by Stravinsky or by the same composer’s opera The Rake’s Progress.
       
       

      Neapolitan Chord

      A chromatically altered chord built on the lowered second scale degree.  It is a major chord, generally found in first inversion and functions as a pre-dominant chord, resolving to the Dominant.  It is most commonly found in minor keys.  In a major key it would contain a lowered second scale degree (b2) and a lowered sixth scale degree (b6).  It derives its name from an important group of 18th century opera composers who were associated with the city of Naples.
       
       

      Neighbor Tone

      A nonharmonic tone also known as an auxiliary tone.  It is a tone a step above (upper neighbor) or a step below (lower neighbor) a consonant (chord) tone.  Upper neighbors generally resolve down by step and lower neighbors resolve up by step.  Upper and lower neighbors are sometimes combined to form double neighbors, to which the term "cambiata" is also sometimes applied.   Single neighboring tones may be either be strong or weak metrically.
       
       
       

      Neoromantic

      In recent usage, a designation for the general style employed by certain mid-20th-century composers who write in a lyrical fashion and employ many musical traits associated with Romanticism, although with greater freedom in chord construction, more liberal use of dissonance and more varied rhythms.
       
       

      Neumes

      The notational signs of the Middle Ages (8th - 14th centuries), which were used for writing down plainsong.  The term means chiefly the signs used for the music of the Roman Catholic Church (Gregorian chant) but is also used for other systems of a similar character, such as the Byzantine, Mozarabic, or Armenian neumes.
       
       
       

      Nocturne

      A nocturne is a night-piece, music that evokes a nocturnal mood. It was developed as a form of solo piano music by the Irish pianist and composer John Field in the early 19th century, leading to its notable use by Chopin. The title has been used more recently by other composers for both instrumental and vocal compositions.
       
       

      Nonet

      A nonet is a composition for nine performers.
       
       

      Nonharmonic Tones

      (see separate listings)
       
        Passing Tone
        Neighbor Tone
        Escape Tone
        Appoggiatura
        Suspension
        Retardation

       

      Nontonal music

      Music that purportedly has no tonal center.  Nontonal music differs from tonal music in that intervals between parts do not manifest dissonant or consonant qualities and hence do not follow prescribed resolution patterns.
       
       

      Notation

      Notation is the method of writing music down, practices of which have varied during the course of history. Staff notation is the conventional notation that makes use of the five-line staff or stave, while some recent composers have employed systems of graphic notation to indicate their more varied requirements, often needing detailed explanations in a preface to the score. Notation is inevitably imprecise, providing a guide of varying accuracy for performers, who must additionally draw on stylistic tradition.
       
       

      Note

      A note in English is either a single sound or its representation in notation. American English refers to a single sound as a tone, following German practice.