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 | Study Chapters 5 and 6 in the Cope
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 | Indeterminacy (p. 77) Experimentalism (p. 103)
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 | Other types of Modulation Alternative Scale Forms Other types of harmonic structures 12-tone theory Set theory analysis
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 | Quiz on Set Theory Study Chapt. 4 - Timbralism and Tuning
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 | Study the material dealing with Hindemith's concept of tonality (p. 39-40)
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 | Analyze his "Fuga secunda in G" (p. 41-43)
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 | Label every entrance of the main subject Bracket and label every instance of the Prime Form sets 027, 014, and 013
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 | Analyze the first page of "Traffic" finding all the Prime Forms (set theory) of the vertical structures.
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 | Read Chapters 2 and 3 in the Cope, "New Directions in Music"
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 | 2 - Atonality and Serialism (p. 17) 3 - Texturalism (p. 33)
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 | Select a piece from your current private study to prepare for your Lecture Recital
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 | Write a one-page "overview" of the piece
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 | Explain why you chose the piece for your Lecture List interesting aspects of the piece you will cover in the Lecture
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 | Finish analysis of Webern's Op. 27 - 2nd Movement Listening quiz - styles characteristics of 20th-Century Movements
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 | Label all row variations and transpositions on the matrix for "Fugue for Three" (p. 28)
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 | Compose your own 12-tone row and complete the matrix for it
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 | (Get a blank matrix here)
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 | Excerpt from "La cathédrale engloutie" Polytonality, Stravinsky, and Ives
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 | Neoclassicism 12-Tone Technique 2nd Viennese School Schönberg Webern Berg
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 | Quiz on all the material previously assigned and covered in class Complete the scale analysis of "La cathédrale engloutie" Study the concept of "Polytonality" (p. 11) Study all the material on Stravinsky and Ives
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 | Read and study the concepts "Alternative Scale Structures" (p. 13)
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 | and "Non-tertian Harmony" (p. 21)
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 | Analyze and Identify the scale form in "Event Horizon" (p. 15)
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 | Analyze "La cathédrale engloutie" from the beginning through measure 27 (pgs. 16-18)
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 | Only identify scale forms
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 | Read all the material on Debussy - pages 70-73 Be ready for a quiz on all the material assigned and covered in class, including Debussy
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 | Read the article "20th-Century Movements"
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 | Read and study the concept "Extended Tertian Harmony"
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 | Analyze the excerpts on page 10 (Debussy - "Pelléas..." and Ellington - "Prelude to a Kiss")
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 | For Tues. (8/28/07) - Print, read and sign the Theory IV syllabus
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 | Read the article "Contemporary Music: Change of Repetition"
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