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31 |
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Secondary Dominants |
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| Definition |
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| A V (or viiº) of a diatonic chord other than I |
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| Characteristics |
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| Most include at least one raised diatonic pitch (accidental) This raised pitch is usually the 3rd of the secondary V chord or the root of the secondary viiº chord This raised pitch is the Leading Tone to the tonicized pitch (secondary / temporary tonic) |
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| Exceptions |
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| The V7 / IV (in a major key) will not have a raised pitch |
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| It will have a lowered 7th scale degree (the 7th of the chord) |
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| The V7 / III (in a minor key) will not have any accidentals |
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| Occasionally there will be more than one raised pitch |
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| Sometimes both the 3rd and 5th of a secondary V will be raised in order to construct a major chord |
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| V of iii in a major key V of V in a minor key |
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| Resolution |
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| Usually resolves to the tonicized chord (secondary / temporary tonic) |
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| Functions like an authentic cadence |
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| A Secondary V occasionally resolves up a 2nd (root movement) |
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| Functions like a deceptive cadence |
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| Examples (click to open) |
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