|
|
|
|
|
| A V (or viiº) of a diatonic chord other than I
|
|
|
|
|
|
| Most include at least one raised diatonic pitch (accidental) This raised pitch is usually the 3rd of the secondary V chord or the root of the secondary viiº chord This raised pitch is the Leading Tone to the tonicized pitch (secondary / temporary tonic)
|
|
|
|
|
|
| The V7 / IV (in a major key) will not have a raised pitch
|
|
|
|
|
|
| It will have a lowered 7th scale degree (the 7th of the chord)
|
|
|
|
|
|
| The V7 / III (in a minor key) will not have any accidentals
|
|
|
|
|
|
| Occasionally there will be more than one raised pitch
|
|
|
|
|
|
| Sometimes both the 3rd and 5th of a secondary V will be raised in order to construct a major chord
|
|
|
|
|
|
| V of iii in a major key V of V in a minor key
|
|
|
|
|
|
| Usually resolves to the tonicized chord (secondary / temporary tonic)
|
|
|
|
|
|
| Functions like an authentic cadence
|
|
|
|
|
|
| A Secondary V occasionally resolves up a 2nd (root movement)
|
|
|
|
|
|
| Functions like a deceptive cadence
|
|
|
|
|
|
|